In difficult times, people immerse themselves in the magic of mellow music; in slumberous, sun-spun soundtracks; in collections of exploratory, elegant songs. has made this record and called it 'Of Tide and Trail'. Dan's music first emerged in the summer of 2006, with the release of his debut album, 'Around In Circles'. It was written in an old cottage in the Scottish Borders where he and his wife grew vegetables for sustenance and collected wood for heat. It introduced a songwriter who chose a simple way of living, and whose songs glimmered with the warmth of hearth and home. Made by a nomadic soul born in the jungles of Borneo to Polish parents, this was a soothing record from a man who had found a place to settle after a childhood travelling across continents and a youth spent in London's endless urban horizons.
But later that year Arborise moved on again, his desire to explore not yet fully quenched. His new home was North Devon, a land of sweeping vistas, steep valleys, crumbling houses and expansive seascapes. He settled there with his wife, young daughter and faithful hound and worked on a farm in exchange for board and lodgings. They spent two years living a yurt on a wooded hillside, with water coming from a well and a wood burner for heat and cooking. In this idyllic and inspiring environment the more adventurous textures of 'Of Tide and Trail' slowly took shape.
"There is something meditative about living on the coast, about the sea and the skies and the countryside around it" Arborise begins; "Being on a natural boundary between fundamental elements, earth and water, where one world ends another begins. It inspired me into writing longer, increasingly involved songs, and thinking more about textural qualities of sound."
His guitar playing got more intricate, recalling the styles of Bert Jansch and John Fahey, as we can hear on the extraordinary opening bars of 'You'll All Get What's Coming To You'. He bought a harmonium, and fell in love with the hypnotic drones on which he built tracks like 'My Dear'. He was also drawn towards the mesmerizing atmospheres conjured by Brian Eno's early ambient works and Robert Fripp's soundscapes. "Instrumental 'ambient' music to me somewhat mirrors the rhythm of living in the country. It fits the idea of the slower lifestyle, rather than a purely unrelenting work ethic, and embodies sentiments that we should perhaps take more notice of in our day-to-day lives."
Nevertheless, 'Of Tide and Trail's' lyrics are less about nature, and more about nurture. Tracks like 'Cries', a remarkable nine-minute track about a father's experience of a first-born, are, he believes, amongst his most honest songs. "The birth of your child makes you think about the big questions that persist through the ages. I wrote it at four in the morning, with the moonlight flooding through the windows, the boundaries between generations of family, current and past, becoming increasingly blurred."
"It's the kind of song that could be taken for a rather over-active sentimentality, but for me having a child has been the most magical, awakening & occasionally terrifying experience. It brings forth an emotional purity and intensity which I've attempted to capture. There are no platitudes or pretensions to it. It's just how I feel, unadulterated and unadorned."
Other songs on 'Of Tide and Trail' travel from driving folk-rock peaks to hushed reflective valleys. 'Days Even Years' addresses the passage of time and the inevitability of death, with an incredible tenderness. The spry, jaunty opener, 'Another Side Of The Sky', and the clarion call of 'I Live', both bristle with unbridled, infectious energy. From the questioning of life in the contemplative lyrics of 'She Told Me How To Love Her', to an ode to a growing daughter 'My Child', a huge heart beats boldly.
And so after the songs were written and ready, Arborise knew he had to find a different place to record them. His debut had been made amongst the urban sprawl in East London's Cafe Music Studios, with accommodation for artist and producer Jon Hopkins being the floor of the communal lounge. His second came to life in Firefly Studios on the edge of Dartmoor, where Arborise lived in a cabin in the garden. "Every night, after finishing in the studio I'd return to the cabin, and spend my evenings with the weather, of which I experienced all varieties, close outside. Every morning, I'd wake up, go walking on the moor and then return to the studio. I feel I need peace and silence to write, so to also have that to develop my sound on record meant that it flowed quite naturally."
This quietness also inspired his album's most ambitious tracks. Take the epic achievement of 'Under Your Spell', 7 minutes and 16 seconds of building guitars, vocals that evoke memories of Tim and Jeff Buckley, and washes of electronics that slowly submerge the listener. Then there is the album's incredible closer, 'Feet in the Sea, Head In The Stars'. It burns with the soft power of Talk Talk's Desire, before it crests in a wave of intense, psychedelic rhythms. It ends as beautifully as it began, with Arborise telling us "The tide it pulls forever on, back to where we all belong".
When 'Around In Circles' took its first breaths, critics called Dan Arborise a folk singer for the 21st century. 'Of Tide And Trail' shows his desire to pick up this mantle, wear it with warm, gentle, confidence, and take it much further. 'Of Tide and Trail' is filled with positivity for the human beings we are. It is for the tough times we live in, for our hearts and our heads, and for the possibilities of hope. Dan Arborise understands us. Dan Arborise has reached out to us, and given us 'Of Tide and Trail'.
See Dan talking about the new album and playing tracks HERE
“Immaculate guitar … perceptive songs….luminous production….. this is a debut album that instantly allows Dan Arborise to pull up a chair alongside the likes of Jose Gonzales and James Yorkston” The Word
"Beguiling acoustic guitar hymns to truth and beauty” Uncut
“Arborise’s songs live and breath as though they are alive. Inch perfectly picked guitar melodies wander with willful abandon whilst the vocals are carved into a hollow ache that hangs its mellow grace in the air for what seems like forever. It is quite simply a record of infectious serenity, all cobbled street acoustics and shoreline melancholy. In short the perfect soundtrack to watch the day turn into night” Revealed Magazine
“Around in Circles’ is a washed with sublime melodies…. The kind of stark haunting soundscapes we love Nick Drake for” Guitar Magazine
“Around in Circles with its extended instrumental sections, hypnotic looping motives and layered acoustics create a subtle backdrop to enrich its satisfyingly simple songs….. the spell that is cast lingers on throughout an impressive debut” Guitarist magazine
"This is music to hush the soul and slow the heartbeat" NDJ